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During America's Golden
Age of Ornamental Penmanship (approximately 1850-1925), handwriting
skills were valued as highly as education, business and commerce, or
computer skills are today. Many men and women achieved fame for
demonstrating high levels of expertise in decorative handwriting, while
the most talented of these individuals became legendary as "master
penman" of the era.
There were many
different styles of ornamental penmanship. Among the most well-known of
these was Spencerian Script, named for Platt Rogers Spencer (1800-1864),
who is referred to as "the man who taught America how to write". His
semi-angular style of cursive writing became the reference for American
handwriting in the 19th Century. However, in the public excitement
expressed towards decorative handwriting during the late 1800's, the
style of ornamental penmanship that brought forth the most visual
excitement was unique in the fact that it contained no letters at all.
Known as off-hand
flourishing, this form of writing is essentially non-lettering
penmanship. Instead of communicating thoughts and words, off-hand
flourishing conveys images of grace and beauty through the use of
artistic shades, hairline strokes, and gentle curves.
This art form, once
practiced by thousands, is extremely rare today. Currently it is
carried on by only a handful of talented individuals. Massachusetts
native John DeCollibus is nationally recognized as one of the finest
artists of vintage ornamental penmanship in America. A certified Master
Penman, Mr. DeCollibus practices his time-honored skill with dedication,
attention to detail, and a confidence towards composition that has made
his work equal to that of the legendary penmen of old.
The original specimens
displayed here, produced by John DeCollibus, bring this legacy and the
heritage of 19th century American penmanship to all present-day lovers
of handwriting. Through his amazing network of lines and shades, we are
treated to a wonderful glimpse or the past that provides his loyal
patrons with a sense of nostalgia, solitude, unique beauty, and a visual
form of contentment. It is a pleasure to welcome you to his special
art.
- Michael Sull, past president,
International
Association of Master Penmen, Engrossers
and Teachers of Handwriting
(IAMPETH)
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